But a lot of King’s Reagan-era efforts never quite got the fully grown-up, properly budgeted treatment they deserved—which is why so many people, myself included, are excited for the new theatrical version of It, the first trailer for which debuted today. The two-minute-plus glimpse focuses on the book’s terrifying first few pages, in which a young boy named Georgie heads out into the rain with a brand-new paper boat made by his older brother, Bill (played by Midnight Special’s Jaeden Wesley Lieberher). When the boat heads into the sewer, the story claims its first major victim—and we get our first look at the shadowy Pennywise (Bill Skarsgård).
Nothing in the It trailer feels like a cheap thrill, which is all the more thrilling.
Shortly after Georgie’s death, Bill and his small group of pals, nicknamed the Losers’ Club, realize that their hometown of Derry, Maine has an uncommonly high death rate, and ultimately discover that Pennywise has them in his sights. The teaser is full of ominous moments, all of them briefly glimpsed: A red balloon floating through a library; a swarm of hands trying desperately to open a door to exit a burning building; black ooze exploding from a bathroom faucet.But there’s not a lot of Pennywise to be found in this first teaser, which is a promising sign. Thirty years ago, a Stephen King monster would have been the front-and-center selling point for an adaptation like this, yet director Andrés Muschietti—who last worked on the 2013 hit Mama, and who joined It after True Detective’s Cary Fukunaga abandoned ship—appears to be favoring slow-reveal dread over the low-end shock that dominated movies like Creepshow 2. The teaser’s scariest moment features no gore or gotcha-ness; instead, it involves a misfiring slide-projector and a barely discernible clown-grin. Nothing in the It trailer feels like a cheap thrill, which is all the more thrilling.
Yet there’s another, slightly more subtle reason to get excited for this latest take on It, especially for long-time King-lovers. As if you couldn’t tell from the trailer’s surplus supply of ringer tees and station wagons and latchkey kids, the new adaptation begins in the ’80s—a move that resettles King’s characters to the decade that both confirmed his super-star stature, and nearly ravaged his big-screen reputation. For some viewers, that may give the trailer a distinct Stranger Things vibe (which is fitting, given that King’s DNA was all over that show). But for those who always hoped that the author’s earlier scare-fests would finally be elevated beyond just a few gory big-screen jolts, it’s more proof that, after all these years, Stephen King may finally get the ’80s movie he always deserved.
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